Winner of the Edgar Award, Shamus Award and Anthony Award - the first author to win all three – international bestselling author Harlan Coben’s critically-acclaimed novels have been called “ingenious” (New York Times), “poignant and insightful” (Los Angeles Times), “consistently entertaining” (Houston Chronicle), “superb” (Chicago Tribune) and “must reading” (Philadelphia Inquirer). His most recent novels, THE INNOCENT, JUST ONE LOOK, NO SECOND CHANCE, TELL NO ONE and GONE FOR GOOD have appeared on the top of all the major bestseller lists including the New York Times, London Times, Le Monde, Publishers Weekly, Los Angeles Times, Wall Street Journal and USA TODAY -- and many others throughout the world. His books are published in thirty-three languages around the globe and have been number one bestsellers in more than half a dozen countries. In his first books, Coben immersed himself in the exploits of sports agent Myron Bolitar. Critics loved the series, saying, “You race to turn pages…both suspenseful and often surprisingly funny” (People). After seven books Coben wanted to try something different. “I came up with a great idea that simply would not work for Myron,” says Coben. The result was the critically acclaimed New York Times bestseller TELL NO ONE, which became the most decorated thriller of 2001 – nominated for an Edgar, an Anthony, a Macavity, a Nero, and a Barry; winner of the Audie Award for Best Audio Mystery/Suspense Book (read by Steven Weber); and a #1 hardcover book on the Book Sense 76 list. Coben followed the success of TELL NO ONE with the blockbuster New York Times bestsellers GONE FOR GOOD (2002), NO SECOND CHANCE (2003), and JUST ONE LOOK (2004) and THE INNOCENT (2005). Bookspan, recognizing Coben’s broad international appeal, named NO SECOND CHANCE its first ever International Book of the Month in 2003 – the Main Selection in 15 different countries. Since his critically-acclaimed Myron Bolitar series debuted in 1995, Harlan Coben has won the Mystery Writers of America’s Edgar Allan Poe Award and was nominated for the Edgar two other times. Harlan also won the Anthony Award at the World Mystery Conference, was nominated for another Anthony Award, won the Shamus Award by the Private Eye Writers of America, was nominated for another Shamus, and was twice nominated for the Dilys Award by the Independent Mystery Booksellers Association.

Classic texts, amateur audiobooks, and the grand future of online peer production In the dim, humid basement of his Maryland home, Michael Scherer, a tall 38-year-old with the long, square beard of a mandolin player or a monk, leans toward a rebuilt Russian tube microphone, desperate for silence so he can begin recording a 200-year-old essay by an American founding father. Even in the makeshift studio he has constructed, with thick blankets hanging from nails in the joists and the basement windows plugged with fiberglass, the sounds of lawnmowers, car alarms, birds, air conditioners, and children kicking balls in the street still intrude. “I have to hold on a minute here—there’s a, there’s a truck,” he says. A few seconds later, the truck passes, and he reads in his deep, resonant voice, “The Federalist.” He stops, clears his throat, and begins again. “The Federalist, No. 19.” Scherer posts some of his recordings to LibriVox, an online community of several thousand people all over the world who read and record public domain books, then post them as podcasts that can be downloaded for free. Some LibriVoxers read; others proof, tag, and catalog the sound files, greet newbies, or manage ongoing book projects. After about a year and a half, LibriVox’s catalog contains more than 400 completed works, including novels, poems, histories, travel books, and plays, making it one of the largest audiobook publishers. The goal? To record every book in the public domain, which means everything published before 1923.

Since 1999, Scott Brick has recorded nearly 300 audiobooks. While work for Books on Tape represents almost 50% of his output, this tireless reader worked for virtually every audio publisher in 2006. Among the 25+ audiobooks he recorded last year, he delivered outstanding performances for Audio Renaissance (Joseph Finder’s Killer Instinct), Blackstone (Robert Littell’s Vicious Circle), Brilliance (Alex Kershaw’s The Few), Hachette (Nelson DeMille’s Wild Fire), Penguin (Clive Cussler’s Skeleton Coast) and Random House (Lincoln Child’s Deep Storm). PW’s review of his 2006 reading of Truman Capote’s In Cold Blood said, “Brick’s surefooted performance is nothing short of stunning. This facile audio actor delivers an award-worthy performance.” native of Southern California, Scott has been an actor (among other things) since leaving UCLA in the late 1980s. “I spent about 10 years in a traveling Shakespeare company, doing dozens of shows all over the state,” quoth “The Brickman,” as he sometimes calls himself. “I guess I’ve had a pretty solid grounding in the classics, as well as contemporary work. Beyond that, I’ve been a fan of old-time radio my entire life and have always been passionate about the spoken word. That’s the reason I wanted to be an actor, because I’m so fanatic about telling stories. And audiobooks are the purest form of doing that, aren’t they?”

Clive Cussler, the Grand Master of the American action adventure novel, grew up in Alhambra, California. He later attended Pasadena City College for two years, but then enlisted in the Air Force during the Korean War where he served as an aircraft mechanic and flight engineer in the Military Air Transport Service. Upon his discharge, he became a copywriter and later creative director for two of the nation's leading ad agencies. At that time, he wrote and produced radio and television commercials that won numerous international awards one at the prestigious Cannes Film Festival. Cussler began writing in 1965 and published his first novel featuring Dirk Pitt® in 1973. His first non-fiction work, THE SEA HUNTERS, was released in 1996. Because of this work the Board of Governors of the Maritime College, State University of New York considered THE SEA HUNTERS in lieu of a Ph.D. thesis and awarded Cussler a Doctor of Letters degree in May of 1997. It was the first time since the College was founded in 1874 that such a degree was bestowed. As THE SEA HUNTERS and THE SEA HUNTERS II novels relate, Cussler is the founder the National Underwater & Marine Agency, (NUMA) a 501C3 non-profit organization that dedicates itself to American maritime and naval history. Cussler and his crew of marine experts and NUMA volunteers have discovered over 60 historically significant underwater wreck sites. After verifying their finds, NUMA turns the rights to the artifacts over to non-profits, universities, or government entities all over the world. Some of these finds include the C.S.S. Hunley, best known as the first submarine to sink a ship in battle; the Housatonic, the ship the Hunley sank; the U-20, the U-boat that sank the Lusitania; the Cumberland, sunk by the famous ironclad, Merrimack; the Confederate raider Florida; the Navy airship, Akron; the Republic of Texas Navy warship, Zavala, found under a parking lot in Galveston, Texas; and the remains of the Carpathia, the valiant ship that braved icebergs to rescue the survivor's of the Titanic. In addition to being Chairman of NUMA, Cussler is a fellow in both the Explorers Club of New York and the Royal Geographic Society in London. He has also been honored with the Lowell Thomas Award for outstanding underwater exploration.