Audio Books and Language Learning

Since 1999, Scott Brick has recorded nearly 300 audiobooks. While work for Books on Tape represents almost 50% of his output, this tireless reader worked for virtually every audio publisher in 2006. Among the 25+ audiobooks he recorded last year, he delivered outstanding performances for Audio Renaissance (Joseph Finder’s Killer Instinct), Blackstone (Robert Littell’s Vicious Circle), Brilliance (Alex Kershaw’s The Few), Hachette (Nelson DeMille’s Wild Fire), Penguin (Clive Cussler’s Skeleton Coast) and Random House (Lincoln Child’s Deep Storm). PW’s review of his 2006 reading of Truman Capote’s In Cold Blood said, “Brick’s surefooted performance is nothing short of stunning. This facile audio actor delivers an award-worthy performance.” native of Southern California, Scott has been an actor (among other things) since leaving UCLA in the late 1980s. “I spent about 10 years in a traveling Shakespeare company, doing dozens of shows all over the state,” quoth “The Brickman,” as he sometimes calls himself. “I guess I’ve had a pretty solid grounding in the classics, as well as contemporary work. Beyond that, I’ve been a fan of old-time radio my entire life and have always been passionate about the spoken word. That’s the reason I wanted to be an actor, because I’m so fanatic about telling stories. And audiobooks are the purest form of doing that, aren’t they?”

Sherlock Holmes is a fictional detective of the late 19th and early 20th centuries who made his first published appearance in 1887. He was devised by Scottish author and physician Sir Arthur Conan Doyle. Holmes is famous for his prowess at using logic and astute observation to solve cases. He is perhaps the most famous fictional detective, and indeed one of the best known and universally recognizable literary characters. Conan Doyle wrote four novels and fifty-six short stories featuring his creation. Almost all were narrated by Holmes' friend and biographer, Dr. John H. Watson, with the exception of two narrated by Holmes himself and two more written in the third person. The stories first appeared in magazine serialization, notably in The Strand, over a period of forty years. This was a common form of publication at the time: Charles Dickens' works were issued in a similar fashion. The stories cover a period from around 1878 up to 1903, with a final case in 1914.